My Journey Into Glass
My creative work is primarily driven by an acute awareness that I far too easily forget that there’s more to life than what I observe in the world around me. Glass has a way of helping me remember the “more” of life, the visible and the invisible. Creating with glass brings me moments when I catch the movement of light waves playing in the glass and I feel myself being dynamically drawn into previously invisible spaces. While I understand that the movement of light waves is a dynamic and evolving field of physics, I am more apt to lean into the moments of seeing the dance of light waves within glass as a mystical, heart-expanding experience. In Thomas Merton’s words I hear an echo of my experiences:
Sink from your shallows, soul, into eternity.
We touch the rays we cannot see.
We feel the light that seems to sing.
My work with both fused glass and mosaic glass is primarily motivated by the opportunity to be a participant in, and a witness to, the ongoing creation of beauty in this world at this time. I also find added motivation comes when I share my glass and see others find their own joy in pieces that catch their imagination.
My artistic influencers include:
Dale Chihuly’s inspired use of glass to transform living spaces,
Claude Monet’s impressionistic expression of light,
Georgia O’Keefe’s exploration of interior floral landscapes,
Wayne Thiebaud’s delight in commonplace color-saturated objects, and
Yayoi Kusama’s sense of the eternal in her work with circles.
My artistic path with glass began when I learned how to make traditional grouted glass mosaics on plywood backings. Desiring to significantly increase the impact of light’s interaction with my colored glass designs, I followed the lead of stained glass artist Scott Wilcox and migrated to creating stained glass designs on clear glass or mirrored surfaces. Most recently I discovered the joy of glass fusing, which I find is progressively taking my creative energy in new directions.